Sunday, 3 May 2026

Design A542 - Pink Marshmallow & Grape Poncho

For this poncho I have used Drops Cotton Light in shades Pink Marshmallow and Grape. 

Drops Cotton Light Grape

Drops Cotton Light Pink Marshmallow

The design consists of six crochet panels, which are then joined together to form a cohesive piece. Additional crochet is added to both the top and bottom, and the piece is finished off with fringing/tassels.

The panels are joined in a way that creates a visible, textured line of stitches between each panel, and are an integral part of the design. The poncho is designed to be worn square, allowing a whole crochet panel to drape and cover each arm. However, it also looks good when worn in the traditional triangular poncho style, if you prefer. The construction is designed primarily for the square method. It is pretty generous in size but isn't overly long in the body length, so depending on your bust size, it may only just cover "your girls" if you're quite busty, or it may hang down to your waist if you're quite petite. It is designed for adults. Please pay attention to the measurements across the neck opening and measure around the top of the breastplate/shoulders, including the arms, to ensure it stays in place without falling straight off you or the person you are buying it for and landing on the ground.


I didn't take any work-in-progress photos. I began on 26th April and finished on 30th April 2026. The overall fibre content on this one is 50% Cotton, 50% Polyester. The measurements are 14" across the neck, for a 28" opening and 14" from the neck to the bottom of the crochet (not including the tassels). I have enough yarn left over of both yarns to make more things in the future.

Wednesday, 29 April 2026

Design A542 - Vanilla & Flamingo Pink Poncho

So, I am done with the Colinette Banyan yarns for now. I am now using just the Drops Cotton Light yarns in two different colours to make the last few ponchos that I have planned at this time. This one is in Vanilla and Flamingo Pink.

Vanilla

Flamingo Pink

The design consists of six crochet panels, which are then joined together to form a cohesive piece. Additional crochet is added to both the top and bottom, and the piece is finished off with fringing/tassels.

The panels are joined in a way that creates a visible, textured line of stitches between each panel, and are an integral part of the design. The poncho is designed to be worn square, allowing a whole crochet panel to drape and cover each arm. However, it also looks good when worn in the traditional triangular poncho style, if you prefer. The construction is designed primarily for the square method. It is pretty generous in size but isn't overly long in the body length, so depending on your bust size, it may only just cover "your girls" if you're quite busty, or it may hang down to your waist if you're quite petite. It is designed for adults. Please pay attention to the measurements across the neck opening and measure around the top of the breastplate/shoulders, including the arms, to ensure it stays in place without falling straight off you or the person you are buying it for and landing on the ground.


I didn't take any work-in-progress photos. I began on 23rd April and finished on 26th April 2026. The overall fibre content on this one is 50% Cotton, 50% Polyester. The measurements are 14" across the neck, for a 28" opening and 14" from the neck to the bottom of the crochet (not including the tassels). I have enough yarn left over of both yarns to make more things in the future.

Saturday, 25 April 2026

Design A542 - Blue Saturn & Deep Denim Blue Poncho

This is the fourth and final poncho made using Colinette Banyan in the multi-coloured/multi-toned Blue Saturn, which is 49% Cotton, 51% Viscose. The cotton yarn is Yarnsmiths Cotton DK, which is 100% Cotton, in the Dark Denim Blue colourway to complement the colours in the Blue Saturn colourway.

Banyan Blue Saturn

Yarnsmiths Cotton DK Dark Denim Blue

The design consists of six crochet panels, which are then joined together to form a cohesive piece. Additional crochet is added to both the top and bottom, and the piece is finished off with fringing/tassels.

The panels are joined in a way that creates a visible, textured line of stitches between each panel, and are an integral part of the design. The poncho is designed to be worn square, allowing a whole crochet panel to drape and cover each arm. However, it also looks good when worn in the traditional triangular poncho style, if you prefer. The construction is designed primarily for the square method. It is pretty generous in size but isn't overly long in the body length, so depending on your bust size, it may only just cover "your girls" if you're quite busty, or it may hang down to your waist if you're quite petite. It is designed for adults. Please pay attention to the measurements across the neck opening and measure around the top of the breastplate/shoulders, including the arms, to ensure it stays in place without falling straight off you or the person you are buying it for and landing on the ground.


I didn't take any work-in-progress photos. I began on 19th April and finished on 22nd April 2026. The overall fibre content on this one is 76% Cotton, 24% Viscose. The measurements are 16" across the neck, for a 32" opening and 15" from the neck to the bottom of the crochet (not including the tassels). I have enough yarn left over of both yarns to make more things in the future.

Tuesday, 21 April 2026

Design A542 - Blue Saturn & Wild Orchid Poncho

I've made another poncho, using Colinette Banyan in the multi-coloured/multi-toned Blue Saturn colourway, which is 49% Cotton, 51% Viscose. The cotton blend yarn is Drops Cotton Light, which is 50% Cotton, 50% Polyester, and I chose the Wild Orchid colourway to complement the pink tones in the Blue Saturn colourway. This is the third poncho using Blue Saturn for the panels, and I have plans for one more after this one.

Banyan Blue Saturn

Drops Cotton Light - Wild Orchid

The design consists of six crochet panels, which are then joined together to form a cohesive piece. Additional crochet is added to both the top and bottom, and the piece is finished off with fringing/tassels.

The panels are joined in a way that creates a visible, textured line of stitches between each panel, and are an integral part of the design. The poncho is designed to be worn square, allowing a whole crochet panel to drape and cover each arm. However, it also looks good when worn in the traditional triangular poncho style, if you prefer. The construction is designed primarily for the square method. It is pretty generous in size but isn't overly long in the body length, so depending on your bust size, it may only just cover "your girls" if you're quite busty, or it may hang down to your waist if you're quite petite. It is designed for adults. Please pay attention to the measurements across the neck opening and measure around the top of the breastplate/shoulders, including the arms, to ensure it stays in place without falling straight off you or the person you are buying it for and landing on the ground.


I didn't take any work-in-progress photos. I began on 16th April and finished on 18th April 2026. The overall fibre content on this one is 49.5% Cotton, 28% Polyester and 22.5% Viscose. The measurements are 13.5" across the neck, for a 27" opening and 14" from the neck to the bottom of the crochet (not including the tassels). I have enough yarn left over of both yarns to make more things in the future.

Saturday, 18 April 2026

Design A542 - Blue Saturn & Petrol Poncho

I've been busy with a personal project these past few months, since Christmas, but that is now finished and I am back to making again. I've picked up where I left off and made another poncho, using Colinette Banyan again for the panels. It is not quite a vintage yarn, but it is no longer part of their current range. The second yarn is a new cotton blend yarn. 

So, the yarns I have put together for this poncho are the multi-coloured/multi-toned Banyan Blue Saturn, it's a cone of 500g and I had two of them, which is 49% Cotton, 51% Viscose. The cotton blend yarn is Drops Cotton Light, which is 50% Cotton, 50% Polyester, and I chose the Petrol colourway to complement the colours in the Blue Saturn colourway.

Banyan Blue Saturn

Drops Cotton Light - Petrol

The design consists of six crochet panels, which are then joined together to form a cohesive piece. Additional crochet is added to both the top and bottom, and the piece is finished off with fringing/tassels.

The panels are joined in a way that creates a visible, textured line of stitches between each panel, and are an integral part of the design. The poncho is designed to be worn square, allowing a whole crochet panel to drape and cover each arm. However, it also looks good when worn in the traditional triangular poncho style, if you prefer. The construction is designed primarily for the square method. It is pretty generous in size but isn't overly long in the body length, so depending on your bust size, it may only just cover "your girls" if you're quite busty, or it may hang down to your waist if you're quite petite. It is designed for adults. Please pay attention to the measurements across the neck opening and measure around the top of the breastplate/shoulders, including the arms, to ensure it stays in place without falling straight off you or the person you are buying it for and landing on the ground.


I didn't take any work-in-progress photos. I began on 13th April and finished on 15th April 2026. The overall fibre content on this one is 49.5% Cotton, 27.5% Polyester and 23% Viscose. The measurements are 13.5" across the neck, for a 27" opening and 14" from the neck to the bottom of the crochet (not including the tassels). I have enough yarn left over of both yarns to make more things in the future.

Wednesday, 14 January 2026

Ryafår - Sweden

Ryafår are an endangered conservation landrace sheep breed from Sweden that has old Norwegian Spelsau (Gammelnorsk Sau) sheep in their heritage.  At the beginning of the 20th century, when industrialism took hold, the Ryafår found it difficult to compete with other wool-producing breeds of sheep and numbers dwindled but thankfully the curly shiny wool is needed to make weatherproof coats for the shepherds so that breed was not allowed to die out completely.

Beautiful 18th century lustrous yarns and textiles from the old Ryafår were studied and the quality found seemed to be missing from modern land breeds. The driving force behind the rediscovery of the Ryafår was Axel Nilsson, director of the Röhssaka Museum. He concluded that this must have been an old breed of sheep in the Nordic countries that left this material. In 1915, he came into contact with Emma Zorn in Mora who discovered that the hill people in Mora, Orsa and Gagnef had a trim on their leather jackets that was made of a beautiful sheepskin that it came from the breed Axel was looking for.

The journey around Dalarna began and they found remnants of the Ryafår breed in Skattungbyn and on Sollerön. 15 ewes were selected and purchased.  They were placed with the Gothenburg family Mannheimer, where Maria Mannheimer saved the breed from extinction through succesful breeding work.  The conservation work was then followed up by the Wåhlstedts in the 1920s.  Soon the Swedish Sheep Breeding Association also took care of the breed and established a national studbook. 

The ewes are known for their good mothering qualities and ability to find food in difficult terrain.  They are medium-sized and hardy and have good meat texture and plenty of wool.  The tail, head and legs are wool free but covered in short, shiny hair.  Rams weigh 70kg-100kg and stand 75cm at the withers and ewes weigh 60kg-80kg and stand 70cm at the withers.  Both sexes are polled.

They are a double coated breed and the wool is long and can be 6 inches (15cm) long on a three month old lamb and up to 12 inches (30cm) long on an adult.  The two coats make up around 50% each on the fleece. Most are white, with some grey, black and brown individuals.  The colours should be solid without any white markings or coloured spots. The wool grows fast and has long straight guard hairs along with some shorter underwool.  Whatever you make will be durable.  Can be spun or felted.

The wool of the Ryafår has unique properties that are appreciated by many, especially by hand spinner and other artisans of handicraft.  The wool is of high quality, fairly straight, strong and durable and yet soft.  There is high lustre and good pile formation.  The coats can be separated and spun to make weather proof items from the outercoat and warm snuggly items from the undercoat.  The back of a shorn fleece can be felted on the cuts and made into a rug.

In 1978, the breed association Föreningen Ryafåret was formed.  The breeding work includes a special sampling of the Rya sheep and wool samples are taken from all animals that are to be used in breeding work to ensure that the properties of the wool are maintained and improved.

In 2017, there were 54 herds of sheep consisting of 72 rams, 732 ewes and 1551 lambs registered in Elitlam.  In 2021 there were 491 registered breeding ewes, which means that the numbers are decreasing.  

I bought this breed in as 94g of unwashed raw fleece that was part of a sample pack that featured 8 different Swedish breeds that I purchased back in early May 2022 from a lady called Anita Grahn based in Uppsala, Sweden.  I was going to add a link for Anita and her shop but when I looked her last social media post was in October of 2024 stating that she was in hospital and she has not posted anything since and her online shop is still empty as of January 2026. I do hope she is OK.  However, I can provide a link to Swedish Fibre, a small business run by Sandy Zetterlund who has a passion for knitting, wool, spinning and now a passion for bringing these beautiful fleece from these rare conservation sheep kept by small farmers into the limelight and put them in front of similarly passionate hand spinners like myself who care about ensuring the future and continuation of these rare and unique breeds.  The demand for and sale of the fleece from these rare breeds really do help the survival of the breed. 


I washed this on 23rd May 2022 and the water turned a very weird milk mid-grey kind of colour, not brown like with other fleece that are dirty and muddy, this was a definite weird grey colour.  Once it was dry it weighed 89g.  I combed it almost immediately on 30th May 2022 and I got 64g of hand combed top from it that still has a good amount of the guard hairs left in it because I felt that if I took any more guard hairs out then I wouldn't have enough left for spinning.  The undercoat is much softer and a darker colour to the coarser and lighter coloured outercoat.


I split the fibre into two equal amounts, spun singles and made a 2-ply yarn.  It was difficult to spin and keep both fibre types together as the two fibre types were behaving like opposing magnets and trying to keep away from each other. It was a constant battle and the resulting yarn is stiff, hairy, prickly and difficult to work with. It is fingering weight and I got 61g/162m of it.


I finished the knitted piece on 13th January 2026 but the lettering is incredibly difficult to see and read.




Sunday, 11 January 2026

Charollais - France

Charollais sheep were developed in the Burgundy region of east-central France in the 19th century (1800's) when shepherds crossed imported British Leicester Longwools with their native landrace sheep.  The breed was not officially recognized by the French government until 1974 and then began promoting the fast-growing, muscular breed.  The first export of this breed from France to Britain took place in 1976 and then it was exported to Ireland in 1990, exported to Canada from Britain in 1994 and from there into the USA.   


This is primarily a meat sheep and little care or thought is given to the fleece, which is a shame because they grow fine to medium fleece that are dense but quite short.  They are a medium-large sheep with a pinkish-brown wool free head usually covered in pale coloured hair and both sexes are polled.  The rams weigh about 135kg and ewes about 90kg. Ewes are docile and good tempered.

Average fleece weights are 2-2.5kg and the staple length is usually 1.5-2.5 inches (3.8-6.5cm) with micron counts of 23-30.5 microns.  The locks are rectangular, almost square, due to the shortness.

 

I bought this breed in as 100g of commercially produced top way back in December 2020, when I first started shopping for fibres and fleece for my British Breeds Project and knowing that I would probably do one for Non-British Breeds afterwards.  Also I have not seen any pure breed Charollais fleece for sale at any time since, although I've not been looking specifically for that having purchased this top and I certainly don't want to buy a whole fleece due to the financial cost, storage space issues and the amount of work it takes to prepare and spin a whole fleece by hand especially when the breed has a noted shortness of the staple that I would find difficult to prepare using my wool combs.

The information from the retailer of this is top states that fibre from this breed is dense and springy, its natural brightness makes it a fantastic dye base.  Micron count is 30-33 and the staple length is 80mm (3 inch).  So, the micron count of this seems to be a bit higher than information I can find on this breed elsewhere, so this particular one is not quite as soft as it could potentially otherwise be and the staple length is a little longer than the stated normal range, but that's not unheard off.  Whilst there is information online about this sheep breed most of it is the same repeated information (and I've also just repeated much of it too) and its all about how good it is for meat production, its usefulness as a terminal sire to increase lamb size and profitability and there doesn't seem to be anyone blogging about or promoting the wool of this breed, no one singing its praises or showing off how they prepared the fleece or how they dyed it or anything.  Is no one really enthusiastic about the Charollais in terms of its wool?

I split the commercial top into two lengths and pre-drafted it before spinning a two ply yarn, beginning on 23rd December and finishing on 25th December 2025. I did have to remove some thick hairs and kemp like fibres from this one and the finished yarn is quite crisp and I wouldn't use it next-to-skin. I got a fingering weight yarn that is 96g/399m.




The knitted piece only used 12g of the yarn and I finished knitting it on 10th January 2026.